Sanell Aggenbach’s work deals primarily with the intersection of history and private narratives by considering the process of recall and interpretation. Her work displays an accomplished virtuosity as she moves comfortably between the various disciplines of painting, printmaking and sculpture.

Since 2003, Aggenbach has focused mainly on subverted feminine tropes and feminist themes. In recent work she subtly and mischievously reframed the hobbyist art of flower arranging by appropriating the traditionally masculine art of Japanese Ikebana. Her sculptural work, primarily in bronze, parodies Western masterpieces from Michelangelo to Henry Moore and Warhol. Aggenbach takes a refreshing look at these pivotal references from a woman’s perspective.

Aggenbach currently lives and works in Woodstock, Cape Town. Her explorative work has secured her many achievements including winning the Absa L’Atelier Award in 2003. Her work is represented in numerous public and private collections, including Sasol, Absa, Spier, SABC, Red Bull (Austria), the South African National Gallery, 21C Museum in Kentucky (USA) and Anglo Gold.