ROBERT SLINGSBY

BIOGRAPHY

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ROBERT SLINGSBY

(b. 1955, South Africa)

For over five decades, Robert Slingsby has pursued a singular and uncompromising artistic journey, grounded in fieldwork, research and a steadfast commitment to documenting the complexities of Africa’s traditional cultures. A five-year education at the Vrije Akademie in Den Haag, Holland, a crucible of classical training infusing countercultural ideas, innovative expression and revolutionary politics, formed the foundation for Slingsby’s development as a multidisciplinary artist. His practice encompasses painting, drawing, etching and sculpture, marked by precision and intentionally intimate  engagement with Africa’s traditional mark-makers, both ancient and contemporary.

“I first visited the Richtersveld as a child, when my father’s car broke down there on our way to Windhoek; at the time, it was just another place most drove past on their way north. As the blinding sun beat down on us as we waited for help, I felt an immediate connection to the earth beneath my feet and inscribed on the rocks. Today, the Richtersveld is a destination, drawing diamond mining magnates, zama zamas, river rafters, supermarket chain suppliers and rare plant smugglers; each seeking to extract wealth from the earth. But for me, the Richtersveld remains my connection to the sacred earth and the life source from which my art flows.”

Slingsby’s work is therefore the outcome of immersive field research in some of the most remote regions of the continent. His engagement with Africa’s art, particularly the petroglyphs of the Richtersveld and through this in-depth documentation of threatened indigenous knowledge systems, his art confronts the realities of marginalisation, land dispossession, environmental degradation and the relentless erosion of ancestral culture under modern expansion.

In his current body of work, a return to oil on canvas, Slingsby draws from this deep wellspring of lived experience and decades of observation. These complex, layered compositions are both a reckoning and a tribute, anchored in his enduring fascination with ‘the line’, a visual and conceptual thread that runs through ancient rock markings and contemporary mark-making alike. His paintings are precise and visceral: they chart not only the landscape, but the emotional and spiritual terrains of communities standing at the edge of erasure. Through them, he invites viewers into a world shaped by encounter, endurance, embedded beauty and observation.

SELECTED SOLO AND GROUP EXHIBITIONS

2025    The Archive of Unspoken Things, Everard Read Franschhoek

2024    Winter Group Show, Everard Read Franschhoek

            25th Anniversary Group Exhibition, Knysna Fine Art   

2023    Season’s Greetings Summer Group Exhibition, Everard Read Franschhoek

            What I Think About When I Look At The Cosmos, Group Exhibition, Everard Read Franschhoek

2022    Spring, A Group Show, Everard Read Franschhoek

            The Big Picture, Group Exhibition, Knysna Fine Art

2021    Summer, a Group Show, Everard Read Franschhoek

2020    Classrooms of Dus, solo exhibition, Knysna Fine Art

            Imago, group exhibition, Everard Read Franschhoek

2019    In/Dependence, Circa Gallery, Everard Read Johannesburg

2017    Great Rift, solo exhibition, Everard Read Franschhoek

2015    I am, solo exhibition, Royal College of Art, London  

2014    Crossing The Line, solo exhibition, Barnard Gallery, Cape Town; 'Crossing the line' book accepted into Thomas J. Watson Library / Metropolitan Museum of Art, New York

2012    Money and God in His Pocket, Barnard Gallery, Cape Town

2011    Just Injustice, Sandie Lowry, Kensington Park Rd pop-up, London

2010    CC - Unlimited Power, UCT Irma Stern Museum

2008    Square 1 Gallery, London; Art International, group exhibition Nassau, Bahamas

2007    Excess(ive) baggage, Square One Gallery, London 

2006    Bones of the rusting carpet, Square One Gallery, London 

2005    Power house, Bell-Roberts Contemporary Art Gallery; Art International Nassau, Bahamas

COLLECTIONS:

ABSA Bank Collection

Artoteek, Dutch Municipal Collection

Berman Brothers Collection

Bunders Bank, Germany

Cape of Good Hope Bank

Department of Foreign Affairs  

Deutsche Bank, Johannesburg

Ernst & Young

Investec Bank

Leeu Collection

Pietersburg Art Museum

Rand Merchant Bank

Sanlam Public Collection  

SASOL Public Collection

SEEFF Holdings  

Slingsby’s art is represented internationally in collections including:

South African Embassy, Brussels

South African Reserve Bank

Stonehage Collection

William Humphries Art Museum

Witwatersrand University Collection